In message <[EMAIL PROTECTED]> M Lawlor
writes:
>Valentini, who worked at the Imperial Court in Vienna (he succeeded Priuli 
>in 1626), wrote trumpet parts for the usually unwritten lower trumpets, even 
>providing rhythmic patterns to accompany voices in liturgical music [See 
>Stephen Saunders, Cross, Sword and Lyre, Clarendon, 1995].

Fascinating!  Thanks for the info.

>  Ed Tarr [The 
>Trumpet, London, 1988] also mentions the Charamela real of the Portuguese 
>king in Lisbon in 1722 (although there is confusion over which king) and 
>various German courts as late as 1810, including a reference to a work for 
>five trumpets, timpani and two chalumeaux copied and adapted by Mozart as an 
>exercise, although this uses trumpets in different keys. 

I suspect I heard a performance of that c. 1955, unless there is another
with the chalumeaux replaced by flutes (would that be Mozart's doing?).
In those days it was billed as original Mozart.

-- 
Ken Moore
[EMAIL PROTECTED]
Web site: http://www.mooremusic.org.uk/
I reject emails > 100k automatically: warn me beforehand if you want to send one
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale

Reply via email to