Darcy James Argue wrote:
David,
Owain's question is actually quite clear. He has an orchestral piece that uses drastically different orchestrations from one movement to the next, and is wondering how much variation there should be in the system size from movement to movement. He's worried a drastic change in staff size between movements would make the work look like different pieces, instead of different movements of the same piece. (This isn't a technical "how do I do this in Finale" question, it's a "what approach should I take in this situation" engraving question.)
That's right - I probably should have been clearer at the outset that it wasn't a technical question!
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