Thanks to all who responded on this. I still haven't made up my mind on the numbers of parts, but at least I have a firmer basis for the decision. I suspect the solution is simply to provide an excess of parts and let the conductor sort it out....

As for parallels to this unusual piece (Il mio ritratto, 1858), Heldenleben was all that came to my mind, so it seems that this earlier work really was unique for its time.

Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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