At 10:57 PM -0400 9/3/05, Raymond Horton wrote:
David W. Fenton wrote:

The quality of some Kalmus editions is quite high, because until the last decade or so, they were all reprints of someone else's edition, most public domain, but sometimes including foreign editions that are arguably still copyrighted. ...

That is actually not surprising at all. Because U.S. copyright law was based on date of first publication, and most European law was based on the lifetime of the composer, a great many works were in copyright in Europe but in the public domain in the U.S. Not a grey area at all, just a matter of geography.

And their new series of piano-vocal scores of Bach Cantatas is superbly done, beautiful illustration of good modern engraving, with updated and very fine English translations. Don't know whether they offer newly engraved orchestral parts, though.

The old, traditional Kalmus editions are looked on as one of those problems that orchestral players have to deal with.

The only parts they dislike more are the old french parts with the backward quarter rests for eighth rests and other difficulties.

Actually it's backward eight rests for quarter rests. We ran into that with the Saint-Saƫns A Minor Cello Concerto last spring. And in point of fact, the French rests are more true to the original Franconian rests from the 13th century (which is still no excuse!!).

My guess it that Kalmus probably reprinted a Soviet edition, because for years Soviet copyrights were not respected in the West...

... which, as I understand it, was because the Soviet Union did not recognize or respect the copyright protection of other countries. Actually I don't think there were such things as Soviet copyrights, since nothing belonged to individuals but to "the people" (but were, of course, administered by party members representing "the people"!).

John


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John & Susie Howell
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