ok, i checked it out. here's what you'll find in the full score of this masterpiece, written for and commissioned by the new york philharmonic. and it's dedicated to leaonard bernstein.
----------------------------------------------------- We would like to express our cordial thanks to the following publishers and persons for allowing the use of quotations: Boosey & Hawkes Ltd., London (Stravinsky Agon, Sacre du Printemps, Strauss Der Rosenkavalier for all countries with the exception of Germany, Italy, Portugal and USSR); Durand & Cie., Paris (Debussy La mer, Ravel Dapnis et Cloe, La valse); Furstner Ltd., London (Strauss Der Rosenkavalier for the territories of Germany, Italy, Portugal and USSR); B. Schott's Sohne, Mainz (Hindemith Kammermusik IV) Dr. Franz Strauss Igor Strawinsky We also thank Mr. Claude Levi-Strauss for permitting the use of an excerpt from his work Le cru et le cuit. ----------------------------------------------------- hope this helps, best, marcelo > Is collaging fair usage? Specifically, consider Berio's *Sinfonia*, > which quotes numerous copyrighted works without any notice of written > permission to use any of them. > > I'm not talking about outright parody, wh. is definitely fair usage in > the US, but merely the use of recognizable fragments of copyrighted > works in a patchwork to make something new. The various court cases > involving sampling would strongly suggest that such practices are *not* > fair usage--but then how explain the Berio? > > Andrew Stiller > Kallisti Music Press > http://home.netcom.com/~kallisti/ > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
