At 2:00 PM -0700 9/9/05, ThomaStudios wrote:
With this info it now seems like an Fm6, even with the E suspended. I've seen progressions like this in old, old lead sheets where the editors could NOT read bass clef, and only saw the chord shape in the treble.

This is predictable in the music of Richard Rodgers, who I assume could read bass clef just fine! It was just his way (unless, of course, the chord symbols were added by his publishers and were not his in the first place).

John


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John & Susie Howell
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