Brad Beyenhof <[EMAIL PROTECTED]> wrote: > Not at all; see my comments above. The only reason for even > considering this is that, since the piece in question is alternately > in 6/8 and 3/4, a dotted half note is ambiguous to a person reading > only one part and they won't know what to expect from the conductor.
All he needs to know, when playing a dotted half, is that he starts playing on a downbeat and stops on or about the next one. A downbeat is wahtever is preceded by an upbeat, which should be recognisable as such in either meter.
-- Ken Moore Musician and engineer _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
