Darcy James Argue wrote:
>> He also claims that each out-of-tune note Dylan sings is an integral
part of the work,
What makes you think it isn't?
Though I might have said "an integral part of that rendition," since,
as you note, Bob does it differently each time. But there's nothing
worse than someone singing a pure-voiced, perfectly in-tune Dylan
cover. It's like an alto player playing one of Duke's Johnny Hodges
features and straightening out all the bent notes.
That's where "elevator muzak' comes from.
cd
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