Scott Amort wrote:
Thanks to everyone who took the time to respond. Clearly a loaded topic! I suppose my chief concern in all this is getting credit for my work, so I will try for a clause that reflects that. However, as was pointed out - I don't really know the composer or the works, so I should have a look first. Perhaps I might prefer just to be paid for the work :-) And yes, he may just move on to another arranger who isn't so picky.
And always keep in mind the immortal words of the host on the Monty Python "Blackmail" game-show sketch: "We don't censure, we just want the money!"
If the price is good for the amount of work, take the money and run. -- David H. Bailey [EMAIL PROTECTED] _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
