On 11.05.2006 Kim Patrick Clow wrote:
But the examples David Fention provided were critical study editions (I assume), so I don't think performers are playing from those. And even if they were, I'm sure there is a happy middle ground where the pages are more open in terms of layout, and not have bothersome page turns that annoy performers.
The only example on David Fenton's site I find tight is the piano concerto. Everything else seems completely normal to me. And even the piano concerto is no tighter than your very common Eulenburg score.
Even with scores page turns can be a nuissance, I use scores for practicing when I am preparing concerts I direct. One also quickly loses any sense of overview when you have to turn pages every few measures.
Johannes -- http://www.musikmanufaktur.com http://www.camerata-berolinensis.de _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
