No, Jerry. There's no Eb, so there's no way it can function as a
dominant 13th chord. Plus, it resolves right into a straight FMA7,
meaning the extensions (9, #11, 13) are just decorating the FMA7
sonority.
- Darcy
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On 24 Jun 2006, at 5:50 PM, Gerald Berg wrote:
F13#11
Jerry
On 24-Jun-06, at 5:37 PM, Jacki Barineau wrote:
Hi, Everyone!
Okay - I've got another jazz chord I'm trying to figure out. It's
basically a G chord in the treble (G-B-D) with an F chord in the
bass (F-A-C). Is this some sort of F13#4? Or what would you call
this?! It definitely has the "F" flavor to it. It is in the key
of G (Em) and the chord before this one is an Em7. The chord
after it is an Fmaj7.
Thanks!
Jacki
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Gerald Berg
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