> The notation for artificial harmonics exists for clarification 
> purposes, and is not mystically connected to the idea of the harmonic 
> being artificial; it is therefore perfectly acceptable to use this 
> notation for a natural harmonic where that would be clearer.
> 
> However, to make certain the player does not go for an artificial 
> harmonic on another string, you should either indicate the 
> string name, 
> or put a zero above the note to indicate the open string.
> 
> Andrew Stiller


I suppose it's worth noting another technique for notating natural
harmonics, which uses just the diamond notehead by itself.  This is most
relevant to a series of various natural harmonics, particularly when
upper partials (e.g. the natural harmonic at the major sixth above the
open string) are involved.  The outer movements of the Stravinsky violin
concerto is two examples which I know use this, and also use small
bracketed noteheads to indicate the intended pitches, which in this case
is sufficient to remove the need for roman numeral indications of
strings.

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