Hiro,

What you have described is called hyper-meter: a grouping of measures that corresponds to the grouping of pulses within a measure. Edward T. Cone is the music theorist that coined that term. If you want to explore further, you might look at a collection of Cone's essays: "Music: A View From Delft." Another resource is Cooper and Meyer, "The Rhythmic Structure of Music."

Don McDonnell

On Sep 12, 2006, at 8:49 AM, A-NO-NE Music wrote:



Once again, against my policy, I am asking an OT question because this
list is truly resourceful :-)

Basically I have to find the musical term in English for what I am  
about
to explain bellow.  In Japanese, it is called "Ki-Shou-Ten-Ketsu",  
which
is somewhat similar to "Intro-Dev-Climax-Conclusion".

In music, I was taught it is what is divided in four regions called
harmonic rhythm, which is a wrong term according to my net search.   
What
is the correct terminology for this?

In 4/4, the strength of the beat is 1-3-2-4 to flow.  The same will
apply to a form, i.e., 8 bars phrase will be divided into 2 bars each,
and the same 1-3-2-4 priority applies.  The 32 bars form tune of AABA
form gets the same 1-3-2-4 priority divided in 8 bars each.  The 32  
bars
form tune of ABAC form gets into 16 bars each, and the 16 bar will
divided into 4 bars each for 1-3-2-4 priority.  When you analyze a  
tune
with odd phrasing such as Falling Grace, you say this composition is
unique because it shifts the "harmonic rhythm (now I want to know the
correct terminology for this)".

For long years, I believed this is called harmonic rhythm, but quick
googling denis it.  I'd appreciate if anyone know the correct
terminology for this.

-- 

- Hiro

Hiroaki Honshuku, A-NO-NE Music, Boston, MA
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