Friends:

Responding to Don Hart, about an unsolicited request for an unpublished score, John Howell wrote, in part:
Noel's thought of offering perusal pages but not the complete score may indeed have merit, and you should at least ask whether that would be acceptable. But what no one has yet suggested (and what is the simplest way to handle this) is simply to prepare and sell a copy of the music to this person at the price you consider reasonable.
To which I would note that my suggestion for perusal pages was based in part on the assumption that the performer had not yet made a firm decision on whether to buy Don's score or not, (e.g: I'm looking for material for my next recital concert, and I have some interest in your Opus), and further on the possibility that the score was large enough that the expense of printing, and shipping the score (both ways, if the artist decided no to make the purchase) was significant. In the digital age, I see the free perusal page as the equivalent of being in a brick-and-mortar music store and paging through sixteen scores, of which one intends to purchase two or three. Often the prospective buyer first pages through the scores in the files, selects the most promising half dozen, and looks for a practice room with a piano to make a more thorough evaluation.

In reference to John's question about whether this would or constitute publication, or not, I'm not sure, but I would note that in the U.S. since the mid 1970's, and in much of the rest of the world since before that, publication is of less significance than formerly. The significance of publication in the U.S. until the mid 1970's, was that in order to be copyrighted, material had to be published. In the mid 1970's, the U.S. adapted the interpretation used in the rest of the world, and on items created since the mid 1970's, copyright exists from the time an item is placed in fixed form, either written in a score, of recorded.

As to John's suggestion of a MIDI demo, I would advise _NOT_ sending a MIDI demo; suggesting instead the use of an mp3, wav, or cda format file. The latter can be played, but not opened by any notation software of which I am familiar; while a MIDI can be opened with most the notation packages.

ns

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