At 02:03 PM 10/2/06 -0400, David W. Fenton wrote:
>The equation may be different for different people, but I don't see 
>the utility in learning the insanely arbitrary keyboard shortcuts, 
>unless one has no possibility of ever using a MIDI keyboard for 
>input.

Yeah, Midi keyboards are especially good for quarter-tones. :)

Seriously, though, the computer keyboard shortcuts don't seem arbitrary to
me, though. They're all mnemonics for me, even if they weren't intended as
such. / cut (break) beam toggle, ' launch the little voice (voice 2), P
parenthesis, L lift & flip stem toggle, O do not enter (hide note), ;
demure (grace) note , + sharpen, - flatten, BKSP back over & squash silent
(turn into rest), * sticky-splat the note toggle. Arrows/shift-arrows,
insert, delete all do their stuff.  But as I said, it's been years of doing
it, and it's mostly physical memory. I have no physical memory on a musical
keyboard, in part because of aphasia (I was denied my college degree
because there were no disability laws in 1970 and I couldn't work the piano
keyboard).

Because entry and editing are basically identical in Speedy, I need to
learn only one set of actions to function quickly. If Speedy suddenly
disappeared, I'd have to learn most of what I use in Finale over. It's the
only entry/edit method I've ever used.

So ya learn what ya learn & make it work.

Dennis







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