Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
[...] Knowing that, though, you can create invisible expressions to bend each note the appropriate distance (if you can stand the trouble!).
I did that for my "Enneakaidekaphonic Variations", in which flats were distinguished from their nominally enharmonic sharps, and a right pain it was, too. I could have saved myself some transposition trouble during their composition by using the non-standard key signature facilities, but I suspect that they would have made playback even more difficult, so I might have had to redefine the key signature (and scale) back to normal before adding the pitch bends. -- Ken Moore _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
