Every time I see Tom Johnson (from MM) at the IAJE convention, I see
him use Simple entry, and he puts in articulations and dynamics at
the same time as he enters notes. It is fast when he does it (about
40% faster, he says), but I have yet to make the conversion.
Resistance to change? Obstinacy? I don't know. Maybe it's the
order of things that confuses me in Simple. I am used to thinking
pitch - then rhythmic value, and Speedy works that way. I don't
think that's any more logical than the other way around, but I'm used
to it.
I'm interested to see if anyone responds to this question differently.
Chuck
On Dec 11, 2006, at 3:13 PM, Johannes Gebauer wrote:
I know this comes up every so often, but I wonder whether there are
any true Speedy to Simple converts.
Are there people on this list, who would consider themselves to
have been really quick in Speedy entry, but got converted to Simple
after Simple was improved? Can Simple be as fast or faster than
Speedy is when it is used by a competent note enterer?
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Chuck Israels
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