And, speaking of epsilons, there are a few lucky people who escape the economics, and a lot who don't.
Aaron J. Rabushka [EMAIL PROTECTED] http://users.waymark.net/arabushk ----- Original Message ----- From: "dhbailey" <[EMAIL PROTECTED]> To: <[email protected]> Sent: Sunday, January 14, 2007 5:39 AM Subject: Re: [Finale] O.T.: Speaking of music editions online, PaulWranitzkyeditions > Aaron Rabushka wrote: > > I frequently tell people that classical music exists in the epsilons of the > > economic formulas, that is, that which economics cannot explain. > > Unfortunately it took me a long time to learn that if I compose for someone > > free my work gets thrown in the trash without a second thought. If I charge > > even a menial amount I'll hear it at least once. Sad, but true. > > > > I'm sorry that's been your experience. Mine has been quite different. > I've written some music for free and it has gotten not just one > performance but lots of them. > > It's the people involved, not the economics involved, which cause the > actions (tossing in trash, performing once, performing multiple times, > whatever). > > -- > David H. Bailey > [EMAIL PROTECTED] > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale > _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
