Has anyone had the experience of invoking score optimization and having your work apparently scattered by the four winds? I did this a couple days ago and found bits of my stuff in the oddest places in the score--wrong octaves, scattered time signatures, wrong staves, a solo violin part (that was only supposed to have 5 measures of content to begin with) that would defeat Paganini on his best days--you get the idea. Does any one know what causes this, and consequently how to avoid it? I know about the wisdom of making back-ups--that's not what i'm asking about here.
Aaron J. Rabushka [EMAIL PROTECTED] http://users.waymark.net/arabushk _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
