dhbailey / 2007/02/05 / 11:55 AM wrote: >How can you tell on first hearing if it's "creative" or if it's "wrong?"
When someone played a wrong note by accident, you can hear that. It does with how it was played. >I've heard the advice given to new jazz improvisers that if they hit a >wrong note, to hit it again a few more times. At least that way the >audience knows you're trying to hit that note and just has to accept >that your harmonic language is different from theirs. But it was >originally a "wrong" note. I was the one said that on this list :-) Wrong note is a wrong note, that doesn't mean bad, y'know. If someone hit the bad note without showing his/her intention of reharmonization or phrasing or whatever, you can hear that. I just witnessed a kid who has no idea what he is playing on his tenor but knows tons of Coltrane licks. He sounded he even doesn't know the key of this standard tune but who cares. He was grooving a hell. I couldn't take my eyes off of him. -- - Hiro Hiroaki Honshuku, A-NO-NE Music, Boston, MA <http://a-no-ne.com> <http://anonemusic.com> _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
