in most cases in this transition period (and later to some extent) the payments to the composer (the more significant ones anyways) would have come directly from the "extended royalty"

i meant "the more significant payments", not the more significant composers, "would have come"... since middle-class establishments typically paid the composers less than could be expected by the aristocracy.

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shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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