On Feb 21, 2007, at 11:04 AM, Andrew Stiller wrote:
On Feb 21, 2007, at 10:46 AM, Chuck Israels wrote:
One of the most egregious examples of this kind of thing is the
practice of playing recorded music before performances of live
music in some venues.
Again, nothing new. Consider the "first music" and "second music"
played (live, of course)
Andrew,
There is, of course, a parallel here, but I think there's a big
difference between live and recorded music being used in this way.
Back in the days when I was making a living (and a life) playing bass
in jazz clubs in NY, I was often part of the "intermission" trio -
playing between sets of higher visibility players. (I played with
Bobby Timmons and Roland Hanna - working opposite Monk and Mingus -
who were the main draws.)
There is much to consider here - a recording in a public place is
quite different from a live group.
Chuck
*before the overture* in 17th-c. English theaters. Music was also
played during intermission--all over Europe. That is how comic
opera started, in fact.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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Chuck Israels
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phone (360) 671-3402
fax (360) 676-6055
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