If there is doubt in anyone's mind that simple time signatures are
the norm in jazz, take a look at this piece, notated as closely as it
can be according to the way Bill Evans played it. The bass and drum
parts remain in 2/4 and a kind of 3/4 that crosses over a 4/4 feeling
in the bridge, Notating this according to the surface rhythms would
render the underlying bass and drum parts unintelligible.
http://homepage.mac.com/cisraels/filechute/Five.pdf
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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