Hmm--I wonder if Respighi's nightengale (sp?) record caused the same furor. (Not to mention that it may take a period-instrument mindset to bring it off with a 78-rpm turntable rather than a laptop computer nowadays!)
Aaron J. Rabushka never a lover of using synthesizers to save money [EMAIL PROTECTED] http://users.waymark.net/arabushk ----- Original Message ----- From: "Christopher Smith" <[EMAIL PROTECTED]> To: <[email protected]> Sent: Sunday, May 06, 2007 1:58 PM Subject: Re: [Finale] OT: Can you spot the fake? > > On May 6, 2007, at 12:54 PM, Linda Worsley wrote: > > > > > The article, by the way is mostly crap, and longer than it needs to > > be to make any of the valid points. > > > It sure is! > > What lover of classical music is going to pay good money for season > tickets to a half-synth, half-live orchestra, except where the synth > is playing actual synthesiser parts (not replacing section players) > as an addition to the orchestra? > > Now, for pit orchestras for touring dance shows, there might be an > argument made. Not one that I would support, mind you, but at the > least the advantages are harder (not impossible, just harder) to > refute. For a concert, there is no question. > > Christopher > > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale > _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
