At 5/7/2007 10:41 AM, Chuck Israels wrote: >On May 6, 2007, at 11:36 PM, Randolph Peters wrote: > >> For example, I sometimes get asked if an accidental in one octave >> affects another octave. (Where are these otherwise fine musicians >> taught anyway?) I find it an especially strange question when the >> music is far from tonal. >> >> > >I've had trouble with this one - fine musicians in the Metropole >Orchestra assumed that an accidental in a lower octave carried over >to a higher octave. I did not intend that, and the result was that I >missed the error in the rehearsals and recorded the piece with the >wrong pitch. (Not doing my job as well as I should have been.) So >what is the rule, and does it change from place to place and culture >to culture? I have assumed, new octave = new situation. Perhaps >this is not right.
Since I only direct and play tonal music, I would assume this to be an editing error.
There are so many problems performing today's music because of editing errors, I have to spend rehearsal time fixing people parts.
Phil Daley < AutoDesk > http://www.conknet.com/~p_daley _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
