And the Dover edition of the Beethoven string quartets where treble-clef cello parts are written an octave higher than they sound.
> I remember doing some very old editions of Handel (I think it was Zadok) > at > school which were exactly like this. To us schoolkids it looked very > peculiar with the altos apparently above the sops. > > Gary Griffiths > > -----Original Message----- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf > Of > Andrew Stiller > Sent: 03 September 2007 16:18 > To: [email protected] > Subject: [Finale] alto as tenor? > > In two American choral works of the 1820s (different composers, > different cities) I have encountered alto parts that are clearly > intended to sound an octave lower than written, like the tenors. > > Has anybody else ever come across this practice? > > Andrew Stiller > Kallisti Music Press > http://www.kallistimusic.com/ > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale > _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
