Hey all,
Pardon my ignorance, but I've never had to do this before -- when it
is necessary to split a single measure across two systems (because
the composer added too damn many notes to fit into a single system),
what elements do you show on the the second half of the measure --
the one starting a new system? I assume you would hide the left
"barline" for the new system in this case (it's a work for piano),
but what about clef, key signature and time signature -- do I show or
do I hide?
Cheers,
- Darcy
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[EMAIL PROTECTED]
Brooklyn, NY
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