Well, it was a hypothethical question, but good point. Let's say it
was the key of Eb, but we're on the bridge, and at the bridge's end
there's a Bb7 chord back to part 1, which will start on an Eb chord.
Between the lines you seem to be saying call it whatever the
underlying harmony is. Eh? (Personally I usually use a chord gliss at
these points, not a scale gliss, so I call it whatever the chord
actually is.)
--Richard
On Oct 29, 2007, at 4:04 PM, Darcy James Argue wrote:
What is the underlying harmony? Eb or Bb7?
Cheers,
- Darcy
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[EMAIL PROTECTED]
Brooklyn, NY
On 29 Oct 2007, at 4:23 PM, Richard Huggins wrote:
If someone who knows would settle this for me, I'd appreciate it.
In, for example, the key of Eb and writing a gliss starting on Bb
and ending on Bb (essentially a Bb7 scale gliss), and where
written descriptions are being used alongside harp diagrams
(client's wishes), would the proper description be "Eb gliss" or
"Bb7 gliss"?
--Richard
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