John Howell wrote: > But since Guido appropriated the very neumatic shapes that had been in > use for a couple of centuries previously, and simply regularized them > graphically, I don't really see why there would have been much > ambiguity. In fact the whole point of his innovations was to remove > ambiguity so that something composed in Arezzo and copied in Milano > could be accurately read in Munich!
Hmm...just a hop, skip, and a jump to having music recorded in Zlín (don't worry--my travel agent had never heard of it either), edited in Prague, stamped on a CD in Sanford (Maine), and aired on the radio in Bloomington. Small world! Aaron J. Rabushka [EMAIL PROTECTED] http://users.waymark.net/arabushk _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
