I'd choose 1, f natural, without parentheses. This should remove any
confusion or hesitation while sight-reading, especially considering
that the barlines are dotted. I don't think it is necessary to draw
attention to the false relation between e flat and e natural: this is
a common feature of this style of music.
Michael
On 19 Nov 2007, at 14:47, dc wrote:
I have several disagreements with other editors on cautionary
accidentals and would be interested in other opinions.
What cautionary accidentals would seem appropriate in the alto
part, m.5, of this piece, bearing in mind that it is for three
(solo) voices (1610, if that makes any difference):
http://www.philomela.net/ex/deus.jpg
1) fa natural
2) e natural
3) both
4) none
Thanks,
Dennis
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