[email protected] wrote:
In fact, with the Unicode JazzSymbol, virtually every
conceivable chord suffix and tension can be entered in one click.
You're talking about something like 2000 symbols, how do you access all
those "in one click"?
Also, I have some questions regarding the flyer for ChordSymbol 2:
http://www.virtualconservatory.com/ChordSymbol_2_Flyer_090509.pdf
* Why don't the figure bass examples use line spacing?
* In the roman numeral and Schenkerian analysis examples, why do the
horizontal brackets collide with the parenthesis?
* It seems that the many chords seems strangely kerned and
aligned/spaced, like the "Bbm7/Eb", the "F#/C" and "G11(OMIT9)". Are
these chord samples a good representation of the general kerning and
spacing of the font?
* Is the product name ("ChordSymbol2") with the "2" as superscript or
not? Is it space between the "2" or not?
This is a product related to typography, so I would expect all those
kind of things to be logical and consistent. And to market a serif font
by using a very similar font for the text information seems strange to me.
Also, the general overuse of fonts, font styles, alignment changes in
the flyer make me stay away from the font itself.
Best regards,
Jari Williamsson
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