If you must have three distinct voices, using Goldberg as an example, Im not aware of a rule governing the stem of the third note. My point was that you coould have a G on beat one, a G-B on beat 2, and a G-B-D on beat 3, with Gs and Bs tied. If a pianist played the Goldberg acc to the example or acc to my way the ear result is the same.
If the Goldberg or similar is a transcription, and the notes rep different instruments, that might be diff. Sent from my iPhone On Jan 27, 2010, at 7:02 AM, dc <[email protected]> wrote: Richard Huggins écrit: If you're not otherwise bound by some editorial edict you could use tied quarter notes across the three beats. Not sure I quite understand what you mean, unless it's replacing the three voices by one, which is not an option. I do need to have three voices on one staff. Dennis _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
