"It's not funny if you have to explain it", but Fred Waring also invented the 
blender. I guess I was too obtuse.

---- John Howell <[email protected]> wrote: 
> At 6:04 AM -0500 2/23/10, Dennis Bathory-Kitsz wrote:
> >On Tue, February 23, 2010 12:01 am, [email protected] wrote:
> >>  Was that so they would blend?
> >
> >See John Howell's response -- all the answers!
> 
> Thanks!   But not quite all.
> 
> No, not primarily for blend.  Choral blend comes from matching vowel 
> qualities exactly, and that's something Fred would have insisted on. 
> And English is full of diphthongs and triphthongs and he was 
> concerned with the exact moments of transition.  But he (and his tone 
> syllables) were primarily concerned with intelligibility, for which 
> the voicing of consonants and their unison execution are vital. 
> Beautiful tone comes from vowels; intelligible speech comes from 
> consonants.  In ANY language, including the Italian that singers love 
> so much.
> 
> Blend, balance, and diction are three separate factors that all go 
> into good choral performance.  Waring did have some personal quirks 
> of interpretation that many other choral directors didn't care for, 
> and therefore they often rejected his tone syllable approach.  But we 
> have to remember that a young Robert Shaw was Waring's assistant 
> conductor for a while, and he certainly adopted Waring's approach 
> without the stylistic quirks, because they just made good sense.  And 
> Shaw is considered the absolute master by many, especially those who 
> had the pleasure of working with him.
> 
> John
> 
> 
> -- 
> John R. Howell, Assoc. Prof. of Music
> Virginia Tech Department of Music
> College of Liberal Arts & Human Sciences
> Blacksburg, Virginia, U.S.A. 24061-0240
> Vox (540) 231-8411  Fax (540) 231-5034
> (mailto:[email protected])
> http://www.music.vt.edu/faculty/howell/howell.html
> 
> "We never play anything the same way once."  Shelly Manne's definition
> of jazz musicians.
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