Where is it necessary to place the dynamics when writing for organ?
The manuscript I'm working from isn't consistent in the placement of dynamics. It also doesn't specify individual stops to use (for example, a trumpet stop that would naturally sound louder than a flute stop), so can one dynamic marking placed in between the top two staves suffice? Would the performer know that the dynamic also applied to the pedals? Are the pedals capable of playing at a different dynamic level than the manuals? I suppose that each organ is built differently, so it would be nearly impossible to prepare for every performance situation. _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
