On 2010/04/18, at 21:56, Ryan Beard wrote: > Perhaps I should clarify my situation. I'm engraving a piece for organ by a > dead composer. He has marked dynamics in the music. Sometimes there's one > marking under the top staff only. Sometimes there's a marking under all three > staves. Sometimes there's a marking above the top staff only, because I > assume there wasn't any room to put it elsewhere.
I would leave them as they are. The composer might have meant different registrations per manual. Once again, I am so behind reading the posts. I was shocked no one mentioned the real organ, such as tracker or positive, can play crescendo even without swell. It's all about the speed of the release. This is why we, who likes organ music, hate listening to pianist playing organ, right? :-) On 2010/04/18, at 16:24, David W. Fenton wrote: > If that's referring to me, I'll have you know that I studied organ at > Oberlin for two years while get my degree in piano performance, Hi David, was Bill Porter teaching when you were there? I miss his performance. -- - Hiro Hiroaki Honshuku, A-NO-NE Music, Greater Boston http://a-no-ne.com http://anonemusic.com _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
