At least when my waltz was bumped for "The Blue Danube" I got to use and expand 
it in a wind ensemble piece the following year.

ajr

---- Christopher Smith <[email protected]> wrote: 
> 
> On Mon May 24, at MondayMay 24 7:19 PM, Ryan wrote:
> 
> > I love hearing these "horror stories" from musical theater. I'm  
> > getting
> > ready to conduct Fiddler on the Roof and the director has told me he's
> > considering putting the orchestra on stage (partly in the wings),  
> > so that we
> > can become the "wedding band" at the end of Act I. I don't like the  
> > idea of
> > having 15 musicians trying to perform during a brawl...
> > Christopher, I wonder if we've worked with the same choreographer.  
> > There
> > always seems to be one like her involved in every show I've done!
> 
> 
> Hey, man, I've got TONs of horror stories! Here's my favourite, which  
> I have actually heard variants of, from two or three different  
> sources, aside from the incident that I was involved with. This must  
> happen more often than I thought possible.
> 
> I was preparing arrangements for a hotel revue (think cruise ship)  
> and the choreographer said, "I have an original piece in the show  
> that I have invented. It's very exotic, with an Arabian Nights theme,  
> and it's in seven. Can you compose something that will go with the  
> style? I'll give you the counts and the hits." I spent a lot of time  
> working out a very cool (in my opinion) original composition in 7/4,  
> proud of my work. In the first rehearsal with the dancers and band  
> (time was very tight, so he had taught it with counts and clapping)  
> he stopped us after a few measures. "Oops, we got off beat. Try  
> again." Six or seven times we restarted, then he started to blame us.  
> We weren't playing it properly, the hits weren't right, the musicians  
> weren't good enough, I had written it wrong. Finally I asked him,  
> "Can you show me the counts as you conceived it?" "Certainly!" he  
> said proudly, and counted off emphatically with a clap on each  
> syllable, "One, two, three, four, five, six, sev-en." It was in  
> eight, with two counts for "sev-en".
> 
> We faked Caravan and he was happy.
> 
> Oy.
> 
> Christopher
> 
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