Date: Sun, 30 May 2010 Chris Bell <ch...@directionsinmusic.com> wrote:
> As a pianist/keyboardist I would feel confused by both of them. > 1 I don't like the broken 16ths I agree. Anything that makes the rhythm more difficult to grasp is undesirable. (I hate the old style vocal scores that divide beams according to text syllables, and this is very much the same sort of thing.) > 2 I really don't like being told which hand to use, if you really > need to put any indication in I would go for fingering . . . but then > again . . IMO 2 without any indication of which hand does what or any suggested fingering is the best way to go. That gives the player a clean sheet on which to decide their own preferences and work to their own strengths. Allowing the line to flow from one staff to the other is visually clear. Patsy Moore Teaching accompanist <pa...@mooremusic.org.uk> _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
