But on whole notes, the articulation is frequently placed above when the
correct place is below. The default Fermata and tremolo (single, double, and
triple slashes) articulations are the most common in my work.

On Wed, Sep 22, 2010 at 1:12 PM, SN jef chippewa <
shirl...@newmusicnotation.com> wrote:

>
>  There are probably some articulations where I could use a single
>> definition and not mind the placement, but since so many of them require
>> two, I just keep all articulations that way for consistency.
>>
>
> fair enough, i agree with your points, but just wanted to point out that
> the auto-position functionality can be very useful in a variety of
> instrumental  contexts.  but admittedly, in vocal music you won't come
> across so many of these situations.  however, even in vocal music, there
> must be some artics you want centred over the notehead and not the stem when
> on stem side... fermati for example?
>
>
>  I have a metatool scheme I'm used to.
>>
>
> i find sometimes with some users that habit is actually the main reason not
> to incorporate new functionality in their work... ;-)
>
>
>  If I had my way, every articulation definition would allow handle
>> positioning numbers for each of four cases: upstem noteside, downstem
>> noteside, upstem stemside, and downstem stemside.
>>
>
> yep.  another dream topic.
>
>
>  Then I would use a single definition for each, but without that I'm just
>> too fussy and I'd end up nudging every stemside articulation.
>>
>
> precision is a good thing in my books 8-)
>
>
>  Speaking of nudging, I'd also like each articulation definition to have an
>> offset for when it's put over a whole note. I haven't broken down and made a
>> separate fermata articulation for whole notes, but I probably should, since
>> I'm always nudging them.
>>
>
> check "centre horizontally"
>
>
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