>chromatic transposition breaks forced appearance >of some accidentals, especially if you compare >concert and transposed versions, as you are >doing.
i also noticed this using the single pitch PI. but never figured out what the conditions were that made it happen. >For the first, just don't use the 9 key to flip >enharmonics, because when you look away, it may >flip itself back. here you are talking about the SC, right? because in the PT this is the only way to correct some spellings (i have many instances of E-3/4# for example) >Also, if you select Favour Sharps or Favour >Flats in the Enharmonic menu, this method is >largely bulletproof mmmmmm, where the hell is this option these days? i seem to recall setting it to one of those way back when, but canèt find the bugger now. >For the second, there is no way that I know of >to avoid this, other that using expressions >(ugh!) or articulations to force the appearance. ok, thanks for confirming that this is just another example of stupid finale design. >According to tech support, you are supposed to >enter the notes you want in transposed pitch; >anything you do here will stick. If you enter >the notes in CONCERT pitch and then switch to >transposed (when chromatic transposition is >enacted) you don't know what you're going to get. brilliant. > In linked voiced parts this is particularly >egregious, because you have no way to make a >voiced part different in the part or score. >Sometimes just entering or exiting the Speedy >window causes the state of forced accidentals to >flip their appearance. yes i have noticed this even without voiced parts. >I have complained vociferously about both of >these bugs, to no avail. Maybe a well-respected >engraver such as yourself complaining would help >get these fixed? sure. and i am going to make this next deadline, too. _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
