Hi Phil,

I've used hidden tempo marks for years (with and w/out HP) and have been
quite successful getting tempos how I like/envision them.

For positioning, put those expressions in the "Tempo Alterations" category.
The default positioning in that category is "Horizontal Click Positioning"
which will attach the expression to a beat or note, and the playback is
affected starting where it's attached.  Remember, you can option-drag to
change the point of attachment.

Because I hide these expressions, I rarely create a separate staff for
them.  Most of the time, attaching to notes available in the score is
sufficient.

The only problem I haven't totally overcome is in certain situations where
I want to define an accel. or rit. differently from what HP gives me, but I
need the indication in the score/parts.  I'm not sure how to turn off HP
for one rit. and not another.  Does anyone know how?  Would a hidden
character or hard space do the trick?

Don Hart


On Sun, Apr 7, 2013 at 3:21 PM, Phil Buglass <[email protected]> wrote:

> Hi,
>
> This is a great idea.   The problem is that these
> tempo marks attach themselves to the beginning of
> the measure.  The manual says you can attach
> expressions to notes, but it doesn't work with
> these.  I tried dragging them around, but the
> attachment snaps to the next measure, not the
> next note.  The end result is that they all take
> effect at the same time, so it ends up being a
> tempo change rather than a rallentando.
>
> Thanks for the help.  My brain is fried, and I
> think it's time I got on with some other stuff
> for now.  There has to be a way of getting this
> to work...  Maybe it will come to me in my sleep or something,
>
> Thanks again,
>
> Phil.
>
>
> At 02:17 PM 4/7/2013, you wrote:
> >On 7 Apr 2013, at 1:00 PM, <[email protected]> wrote:
>
>
> >If you really don't care what it looks like, you
> >can try this:  put a real tempo mark (quarter =
> >whatever) wherever you want to change
> >tempo.  For gradual tempo changes, put a tempo
> >mark one on every beat (quarter, eighth,
> >sixteenth).  These DO work, at least nearly
> >always.  You can create a silent scratch track
> >with a string of notes to which to attach the tempo marks.
>
>
> “Outside of a dog, a book is a man’s best friend.
> Inside of a dog it’s too dark to read.” ­ Groucho Marx
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