On Thu, January 2, 2014 9:20 pm, [email protected] wrote: > Well, this is one of those techniques that borrows repeated ostinato from the > Polish avant-garde of yesteryear, whose proper notation, IIRC, includes repeat > signs. I like the staff-style idea--I think I'll give it a try.
Thanks for asking the question. Sounds like it will work. This interests me because I have a very large (1110-measure) high minimalist piece for orchestra, 2 pianos, 6 percussionists, chorus, and descant soprano where each part has separate repeat schemes (they all sync eventually). Each part has its own repeats in the parts (7x, 4x, etc.) and some begin and end mid-measure as well. This piece has been sitting around nicely inked since 1986 (it's only received 3 performances), waiting for the day when I really really (really) feel like engraving it.... Dennis _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
