Yes, I am sure you are right. But you also have to repeat the "break locks" FOR 
EVERY SEPARATE PART. So this little fix might end up taking a few minutes for a 
large orchestra score. And large orchestra scores with voiced linked parts are 
exactly the type of file that benefits from having a template ready to go (it's 
a giant pain to create those voiced part after the Setup Wizard!)

Christopher


On Sun Dec 28, at SundayDec 28 11:52 AM, Robert Patterson wrote:

> What could be going on with the OP is that the default file used to start
> the project contained the locks already. A long-term issue with Finale is
> that if you create a piece with locked systems, especially if only a system
> is locked here and there, when you delete the measures the locks are
> retained. The issue may have been fixed in recent versions, but if you
> carried forward a default file from earlier versions, it might have this
> issue. The way to fix it is to add a bunch of measures to your default file
> (1000 is probably enough) then select all and unlock systems, then delete
> the measures down to the number you want in your default file, then save.
> 
> 
> On Sun, Dec 28, 2014 at 10:16 AM, Christopher Smith <
> [email protected]> wrote:
> 
>> I, like you, wait until the end to enact staff system locks. But then
>> I lock EVERYTHING! I've too often had Finale parse the spacing
>> differently while printing and I end up with my 6-bar system as 5
>> bars plus one bar by itself on its own line, then the part runs to
>> four pages instead of three and the 4th page only has one system on
>> it. Grr.
>> 
>> I agree wholeheartedly with your philosophy on proper part layout. I
>> find, however, that having a "to coda" in the middle of a line is not
>> so bad. Not having a repeat starting a system is WAY worse!
>> 
>> Christopher
>> 
>> 
>> On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:
>> 
>>> I guess my work flow is different from many.  I work about 95% in
>>> scroll
>>> mode until it is time to do final parts layouts.  This seems so much
>>> faster, getting more of the most useful content on the screen,
>>> especially when using staff views aggressively.
>>> 
>>> Even so, when I do switch over to page view, I generally find some
>>> locks
>>> have been set.  I never tried to figure out why there were some locks.
>>> Perhaps they were inherited by starting with a copy of another score
>>> rather then setting up a fresh score from scratch each time.
>>> 
>>> For me it is no big deal.  I simply wipe out the locks and then put in
>>> my new locks.  I have locks on nearly every system because:
>>> 
>>> * I pay careful attention to page turns,
>>> 
>>> * I try to put signs at the beginning of lines and "to coda" at the
>>> ends
>>> of lines
>>> 
>>> * When possible, I avoid splitting musical lines across systems
>>> 
>>> These things all lead to more accurate reading.  By taking an extra 10
>>> minutes on the layout, I can save 20 minutes in rehearsal and have
>>> fewer
>>> errors in performance.
>>> 
>>> 
>>> On 12/28/2014 6:53 AM, David H. Bailey wrote:
>>>> On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
>>>>> Is this a facet of the page view mode?  I work almost exclusively in
>>>>> scroll mode until the final layout time and this just doesn't
>>>>> come up
>>>>> much as an issue.
>>>>> 
>>>> It should never be any sort of an issue in scroll view, since
>>>> there is
>>>> only one very long system.
>>>> 
>>>> -----
>>>> David H. Bailey
>>>> 
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