Thanks, folks. Installing 2012 soon, will test it out, but if 2014 solves
this issue - sold! (Now if I could only figure out how to edit subject
lines in gmail - doesn't seem to give the option. Sorry, not the most
computer-savvy tool in the box here;).
Thanks again,
Mike
On Tue, Mar 3, 2015 at 1:00 PM, <[email protected]> wrote:
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> Today's Topics:
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> 1. Double Accidentals with Doublings (Michael Dutka)
> 2. Re: Double Accidentals with Doublings (Darcy James Argue)
> 3. Re: Double Accidentals with Doublings (Ryan)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Mon, 2 Mar 2015 13:53:57 -0500
> From: Michael Dutka <[email protected]>
> Subject: [Finale] Double Accidentals with Doublings
> To: <[email protected]>
> Message-ID:
> <CACeQs3Db6j6Bdt6rw+0NR=
> [email protected]>
> Content-Type: text/plain; charset="UTF-8"
>
> Hi folks. IMHO, one of the biggest problems Finale has vis a vis (dare I
> mention on this e-group) Sibelius is the way it handles accidentals with
> doubled notes, i.e., oboes 1 and 2 doubled on a B flat.
>
> In Sibelius, the doubled accidentals are on top of each other. In Finale,
> they're side by side, so in the score, two F sharps would have two #'s in
> front of them, and a B flat would look like a B double-b (looking to the
> conductor like it should sound like an A).
>
> The first big score I wrote, I just erased all the flats in layer 2 with
> shift8 (which took hours). Then, when it came time to generate parts, oboe
> 2 was missing the flat and played a wrong note.
>
> My latest score's being recorded the end of the month, and this time, I
> painstakingly moved every layer 1 flat on top of the layer 2 flat with the
> flat mover tool in the tool menu (again, running 2010 on a Macbook). (This
> took even longer, and I'm scared to think what the parts for the layer 1
> instruments'll look like).
>
> Do 2012 or 2014 have solutions to this problem? Are there any global
> solutions anyone can recommend, especially solutions that don't muck up the
> parts output?
>
> Thanks and best,
> Mike Dutka
>
>
> ------------------------------
>
> Message: 2
> Date: Mon, 2 Mar 2015 13:57:55 -0500
> From: Darcy James Argue <[email protected]>
> Subject: Re: [Finale] Double Accidentals with Doublings
> To: <[email protected]>
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="us-ascii"
>
> 2014 solves this.
>
> Cheers,
>
> - DJA
> -----
> WEB: http://www.secretsocietymusic.org
>
> On Mar 2, 2015, at 1:53 PM, Michael Dutka <[email protected]> wrote:
>
> > Hi folks. IMHO, one of the biggest problems Finale has vis a vis (dare I
> > mention on this e-group) Sibelius is the way it handles accidentals with
> > doubled notes, i.e., oboes 1 and 2 doubled on a B flat.
> >
> > In Sibelius, the doubled accidentals are on top of each other. In Finale,
> > they're side by side, so in the score, two F sharps would have two #'s in
> > front of them, and a B flat would look like a B double-b (looking to the
> > conductor like it should sound like an A).
> >
> > The first big score I wrote, I just erased all the flats in layer 2 with
> > shift8 (which took hours). Then, when it came time to generate parts,
> oboe
> > 2 was missing the flat and played a wrong note.
> >
> > My latest score's being recorded the end of the month, and this time, I
> > painstakingly moved every layer 1 flat on top of the layer 2 flat with
> the
> > flat mover tool in the tool menu (again, running 2010 on a Macbook).
> (This
> > took even longer, and I'm scared to think what the parts for the layer 1
> > instruments'll look like).
> >
> > Do 2012 or 2014 have solutions to this problem? Are there any global
> > solutions anyone can recommend, especially solutions that don't muck up
> the
> > parts output?
> >
> > Thanks and best,
> > Mike Dutka
> > _______________________________________________
> > Finale mailing list
> > [email protected]
> > https://lists.shsu.edu/mailman/listinfo/finale
> >
> > To unsubscribe from finale send a message to:
> > [email protected]
>
>
>
> ------------------------------
>
> Message: 3
> Date: Mon, 2 Mar 2015 12:15:39 -0800
> From: Ryan <[email protected]>
> Subject: Re: [Finale] Double Accidentals with Doublings
> To: "[email protected]" <[email protected]>
> Message-ID:
> <CACed2Wjpdg=ZQ2QZW0RP34PcbgP8mkUcPt=
> [email protected]>
> Content-Type: text/plain; charset="UTF-8"
>
> The linked parts in 2012 will look fine in the file where you moved the
> accidental in layer 1. This is the method I use in my projects. Never had a
> problem with the linked parts in this regard.
>
> On Mon, Mar 2, 2015 at 10:57 AM, Darcy James Argue <[email protected]>
> wrote:
>
> > 2014 solves this.
> >
> > Cheers,
> >
> > - DJA
> > -----
> > WEB: http://www.secretsocietymusic.org
> >
> > On Mar 2, 2015, at 1:53 PM, Michael Dutka <[email protected]> wrote:
> >
> > > Hi folks. IMHO, one of the biggest problems Finale has vis a vis (dare
> I
> > > mention on this e-group) Sibelius is the way it handles accidentals
> with
> > > doubled notes, i.e., oboes 1 and 2 doubled on a B flat.
> > >
> > > In Sibelius, the doubled accidentals are on top of each other. In
> Finale,
> > > they're side by side, so in the score, two F sharps would have two #'s
> in
> > > front of them, and a B flat would look like a B double-b (looking to
> the
> > > conductor like it should sound like an A).
> > >
> > > The first big score I wrote, I just erased all the flats in layer 2
> with
> > > shift8 (which took hours). Then, when it came time to generate parts,
> > oboe
> > > 2 was missing the flat and played a wrong note.
> > >
> > > My latest score's being recorded the end of the month, and this time, I
> > > painstakingly moved every layer 1 flat on top of the layer 2 flat with
> > the
> > > flat mover tool in the tool menu (again, running 2010 on a Macbook).
> > (This
> > > took even longer, and I'm scared to think what the parts for the layer
> 1
> > > instruments'll look like).
> > >
> > > Do 2012 or 2014 have solutions to this problem? Are there any global
> > > solutions anyone can recommend, especially solutions that don't muck up
> > the
> > > parts output?
> > >
> > > Thanks and best,
> > > Mike Dutka
> > > _______________________________________________
> > > Finale mailing list
> > > [email protected]
> > > https://lists.shsu.edu/mailman/listinfo/finale
> > >
> > > To unsubscribe from finale send a message to:
> > > [email protected]
> >
> > _______________________________________________
> > Finale mailing list
> > [email protected]
> > https://lists.shsu.edu/mailman/listinfo/finale
> >
> > To unsubscribe from finale send a message to:
> > [email protected]
> >
>
>
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>
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> End of Finale Digest, Vol 140, Issue 3
> **************************************
>
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