Pavarotti used to be able to sing a beautiful "Do di petto" (a chest voice C5). I find that when practicing chest voice it's better by starting with low pitch notes.
Giovanni Giovanni Andreani > On 5 Jan 2016, at 16:59, Chuck Israels <[email protected]> wrote: > > Babies cry, children yell. That’s always in chest voice, and they survive > just fine. Pavarotti said singing is yelling at pitch. > > Of course, it’s possible to overdo anything, but I don’t see this as a > problem unless the expectation of volume is painfully great. If it doesn’t > hurt, they should be fine. > > Chuck > > >> On Jan 5, 2016, at 6:34 AM, Robert Patterson <[email protected]> >> wrote: >> >> This is a question for anyone who has experience leading or working with a >> children's choir, boychoir, or girlchoir. Is asking for chest voice (e.g., >> as a "special effect") like asking a violinist to destroy a $100,000 bow? >> Or is it a tool that you can use in special situations? >> >> Thanks >> _______________________________________________ >> Finale mailing list >> [email protected] >> https://lists.shsu.edu/mailman/listinfo/finale >> >> To unsubscribe from finale send a message to: >> [email protected] > > Chuck Israels > [email protected] <mailto:[email protected]> > (360) 201-3434 > > 8831 SE 12th Ave. > Portland OR 97202 > > <chuckisraelsjazz.com> > > _______________________________________________ > Finale mailing list > [email protected] > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > [email protected] _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
