Hello all,

I wonder if anyone knows how to do large time signatures in the manner 
suggested by Gould in “Behind Bars.” She suggests that they go above each group 
(winds, brass, strings), aligned with the left edge at the barline. She gives a 
page from Carter’s Symphony for Three Orchestras as an example. The reason to 
take them out of the systems is that even narrow ones will distort horizontal 
spacing. 

Does anyone on this list use large time signatures this way? If so, can you 
recommend a way to do them?

Thanks,
David Froom
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