Take a look at this and see what you think.  The chords were entered as I 
described.  Look closely (try zooming in) at the rhythmic and slash notation.  
Beats native Finale by a country mile.  There are certain setting necessary to 
achieve this look, but it’s not that hard.

Attachment: For Martin.pdf
Description: Adobe PDF document


> On Feb 2, 2018, at 11:54 AM, Martin Nickless <mnnickl...@gmail.com> wrote:
> 
> Thanks 
> Martin
> 
> Sent from my iPhone
> 
>> On 2 Feb 2018, at 19:53, Chuck Israels <cisra...@comcast.net> wrote:
>> 
>> Yes, but that works natively in Finale too, once you have your suffix 
>> library.  I’m creating an example sheet of things to show you.  Patience, 
>> please.
>> 
>>> On Feb 2, 2018, at 11:52 AM, martin nickless <mnnickl...@gmail.com> wrote:
>>> 
>>> Thanks great
>>> So you don’t need the : like finale just type
>>> On the computer keyboard
>>> M
>>> 
>>>> On Fri, 2 Feb 2018 at 19:50, Chuck Israels <cisra...@comcast.net> wrote:
>>>> 
>>>> Hi Martin,
>>>> 
>>>> Once you have a chord suffix library (using native Finale fonts or ones
>>>> you have added), you can input chords by typing F 7 # 5 b 9 (for example)
>>>> and you Finale will recognize the appropriate suffix from your library, as
>>>> it is designed.  I will send you some examples, so you can see if you want
>>>> to explore this further.
>>>> 
>>>>> On Feb 2, 2018, at 11:45 AM, Martin Nickless <mnnickl...@gmail.com>
>>>> wrote:
>>>>> 
>>>>> Thanks chuck
>>>>> I’ll check that out
>>>>> It has to be neat when people play the chart
>>>>> It gets their attention also
>>>>> As a matter of interest using his chords do you have to input them in
>>>> the same way as finale regular court ? Eg F: whatever !
>>>>> Best
>>>>> Martin
>>>>> 
>>>>> Sent from my iPhone
>>>>> 
>>>>>> On 2 Feb 2018, at 19:34, Chuck Israels <cisra...@comcast.net> wrote:
>>>>>> 
>>>>>> Hi Martin,
>>>>>> 
>>>>>> Don’t know what’s in the ugly Jazz font — haven’t looked in a while,
>>>> but Bill Duncan’s FP articulations and custom smart shapes have what you
>>>> need to look appropriate with an engraved font.  Those can be found from
>>>> Nick Carter at NPC Imaging.  Don’t know what I’d do without them.  Bill’s
>>>> fonts make chords, slashes and rhythmic notation look elegant as well.
>>>>>> 
>>>>>> Glad to do what I can to help if you decide to buy them.
>>>>>> 
>>>>>> Chuck
>>>>>> 
>>>>>>> On Feb 2, 2018, at 10:52 AM, Martin Nickless <mnnickl...@gmail.com>
>>>> wrote:
>>>>>>> 
>>>>>>> Hi there regarding big-band writing can someone please help me find a
>>>> fall off as opposed to gliss
>>>>>>> And also a gliss
>>>>>>> I need to write in 4/4 time two whole notes
>>>>>>> That’s one in one bar then next bar a gliss down and a gliss back to a
>>>> whole note in third bar
>>>>>>> Thanks for some help
>>>>>>> Cheers
>>>>>>> Martin
>>>>>>> 
>>>>>>> Sent from my iPhone
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>>>>>> 
>>>>>> Chuck Israels
>>>>>> cisra...@comcast.net
>>>>>> (360) 201-3434
>>>>>> 
>>>>>> 8831 SE 12th Ave.
>>>>>> Portland OR 97202
>>>>>> 
>>>>>> <chuckisraelsjazz.com>
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>> 
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>>>>> 
>>>>> _______________________________________________
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>>>> Chuck Israels
>>>> cisra...@comcast.net
>>>> (360) 201-3434
>>>> 
>>>> 8831 SE 12th Ave.
>>>> Portland OR 97202
>>>> 
>>>> <chuckisraelsjazz.com>
>>>> 
>>>> 
>>>> 
>>>> 
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>> 
>> Chuck Israels
>> cisra...@comcast.net
>> (360) 201-3434
>> 
>> 8831 SE 12th Ave.
>> Portland OR 97202
>> 
>> <chuckisraelsjazz.com>
>> 
>> 
>> 
>> 
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>> https://lists.shsu.edu/mailman/listinfo/finale
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> 
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Chuck Israels
cisra...@comcast.net
(360) 201-3434

8831 SE 12th Ave.
Portland OR 97202

<chuckisraelsjazz.com>



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