perhaps of interest to some here. i coordinated the recent issue of eContact! and finally started writing down some of my own research and experiences in notation.
-- PRESS RELEASE -- for immediate diffusion / pour diffusion immédiate Please forward at large. Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic Community eContact! 19.3 Notation for Electroacoustic and Digital Media: Visual representation, communication and transmission / Notation pour l'électroacoustique et les médias numériques: représentation visuelle, communication et transmission [EN] Any discussion of notation for electroacoustic and digital media necessarily addresses several related and equally important issues. An understanding of the nature, needs and intentions of visual representation help ensure the effective, appropriate communication and transmission of the notated work or performance practice. (January 2018) http://econtact.ca/19_3 [FR] Toute discussion portant sur la notation pour l'électroacoustique et les médias numériques doit nécessairement aborder plusieurs questions afférentes toutes aussi importantes les unes que les autres. La compréhension de la nature, des besoins et des intentions liés à la représentation visuelle permet d'assurer la communication et la transmission efficaces et appropriées de l'¦uvre ou de la pratique de performance écrite. (janvier 2018) http://econtact.ca/19_3/index_fr.html ============================================ Editorial by jef chippewa VISUAL REPRESENTATION The Visualization and Representation of Electroacoustic Music by David Gray [F] Observer le processus de constitution d'une notation musicale en direct/ [E] Observing in Real Time the Making of a New System of Musical Notation by Evelyne Gayou >From UPIC to IanniX: Development of a three-dimensional graphic, open source environment for music, sound and beyond by Julian Scordato What You See Is What You Hear: Using visual communication processes to categorize various manifestations of music notation by Christian Fischer COMMUNICATION AND TRANSMISSION Typology and Problematics of Fixed Notation for the Representation of Electroacoustic and Digital Media: Preamble; Part I. Waveform display notation by jef chippewa Doodling in the Posthuman Corpus: Wherefore scoring in the minds of machines? by Matthew Reid Horrigan New Behaviours and Strategies for the Performance Practice of Real-Time Notation by Seth Shafer Looking Back, Looking Forward: Reflecting on the past for a notation of the future by Alyssa Aska and Martin Ritter INTERVIEWS Monday Nights at The Kitchen Were Dark. Until...: Interview with American composer Rhys Chatham by Bob Gluck A Mess of Equipment and NYU's Electronic Music Studio: Interview with American composer Brian Fennelly by Bob Gluck Acoustic Composers Also Need to Know About Electronic Music: Interview with Brazilian composer Marlos Nobre by Bob Gluck OTHER ITEMS An Artist's Reading of the New Funding Model Implemented by the Canada Council for the Arts in 2017 by jef chippewa -- neueweise -- fonts for new music (and traditional) notation http://newmusicnotation.com/fonts.html shirling & neueweise | http://newmusicnotation.com new music notation + arts management + translation [FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
