Hi Robert, I just asked my brother-in-law, who is an opera singer in Mannheim, for his take on this, and he says as far as he knows it’s just a question of voice type: high above low, with no preference given to the importance of the role. Hope this helps. Eric *********************************************** Habsburger Verlag Frankfurt (Dr. Fiedler) [email protected] ***********************************************
> On 24. Apr 2019, at 15:05, Robert Patterson <[email protected]> > wrote: > > Hello list, > > I am interested to know if there is any particular convention around the > score order for vocal parts in an opera. Is it strictly by voice type, or > is there a preference given to principle vs. secondary parts? Or some other > convention I haven't thought of? > > Thank you for any insights you may have. > _______________________________________________ > Finale mailing list > [email protected] > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > [email protected] _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
