That’s how I make parts that are identical except for transposition (like baritone treble clef Bb or bass clef C, or alternate clarinet parts in A). Of course I know you are knowledgable enough to ONLY apply the staff style to the part. You can use JW Copy Part Layout and save a lot of formatting work, too.
Christopher > On May 8, 2019, at 7:41 AM, SN jef chippewa <[email protected]> > wrote: > > > wondering if anyone has a better or more clever way to do this? > > SC in C, no transposing instruments. i'm asked to provide a voice part > (only, no other instruments) transposed down a M2. > > in case there is ever a request/need for the original, i'm thinking to do > everything in C and create 2 separate parts for the same voice. one would be > the original, and in the second defined part i would add a staff style to > transpose it accordingly. (with the same approach, i could also create a > "part" that would be the transposed full score...) > > would that be the easiest / best / cleverest way? that would make sure any > changes are updated in all versions and i would always have direct recourse > to the original. > > cheers, > jef > > -- > neueweise -- fonts for new music and traditional notation > http://newmusicnotation.com/fonts > shirling & neueweise | http://newmusicnotation.com > new music notation + translation + arts management > [FB] http://facebook.com/neueweise| [TW] http://twitter.com/neueweise > _______________________________________________ > Finale mailing list > [email protected] > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > [email protected] _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
