Part One

Some doors impose 
Like great oaken gates.
Some walls are shallow
Like transparent bubbles,
Like gossamer skins.
Some thresholds hold
Steps and gazes and 
Silent soulful thoughts in
Place, like bright-eyed 
Nature before cars-
Like some before a
Fashioned love goddess.

Either offers the image.
Neither offers nothing of
Either, unless-

Part Five
(new pen)

Obstacles are obstructions 
Like walls or doors, but
Thresholds are free ways
Like paths and like skies,
So why be nonplussed?
Walk in.

Minds make/take steps too…
Perhaps the essence is 
Consciousness.
Perhaps it is the soul.
Maybe the thinking thing
That wears the thinking cap.

Conceptually the same, 
All around and all along
The infinite angles, 
Interpreting in a 
Three to five second power
Walk till the sum of the 
Room is subjected so

Meticulously- it becomes
An artificial, mortally 
Composed gestalt.
(All humans are composers.  Gestalt composers.)


Part Negative Five

The totality of many things
Is the addition of many things
That have no addition property.


Part Zero

Posters may officially operate,
& then break for eye candy,
While a white wall simulating
Something State-maintained tells
Of a bleak, blue existence.
Add five more for an experiment.


Acrid smells might tell of dead
Unceremoniously buried cells
Or personal habits from hell
Nosing around like smoke,
Or music, or words, or eyes.
It might have to do with sanity.

Perhaps wrinkles on sheets
Inspire wrinkles on faces, or 
Comfortable situations of
Complacency and friendly wear.
Black for fear, red for passion,
Invisible colors explain it all.

Disbelief or relief when contents
Are mind-juggled, associated.
Inside opens for more outside, and
Pandora is only a personalized
Phobia.  Euphoria is only a 
Personalized sublimation. Choose.

Chaos on the floor likes to make
Eyes wander, and wonder why 
Anything is homeless while music
That may as well be conjoined 
To the ambient air allows another
Breath for another thought for 
Another impression.

Part Mu

Some doors stimulate nothing
More than muscles.
Some walls like centurions
Smile for cooperation.
Some thresholds like darkness,
Disturb impersonally, 
Engaging less than metaphysics
And subjectivism and the 
Possibility that any place
Perceived is a place
Posited with more than 
Four dimensions.







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